“The masterful marriage of relatable storytelling and dreamy yet bold illustrations introduces young readers to a Dickinson they’ll love.”
In the spirit of biographies for children that focus on acquainting young readers with the character of a person rather than on ensuring every known fact is presented, Emily Writes introduces readers to how Emily Dickinson may have been as a young girl. Emily “writes” a poem on a “chance slip” of paper in “curlicues and circles,” and shows it first to her father (who dismisses her), Mrs. Mack (who encourages and shares “the crumbles of last night’s coconut cake” with her), her mother (who entreats her “Not so loud,” as she reclines in bed) and finally the great outdoors. Inspired by another “chance slip”—an envelope this time—Emily is again encouraged by Mrs. Mack with a rhyme Dickinson aficionados (or reader’s of the author’s note) will find special significance in. Yolen’s note at the end is insightful and adds historical substance to the framework of the story for aspiring Dickinson fans, providing a sense for the real history conveyed in this glimpse of an afternoon, which is of itself delightful. The focus on sibling relationships, busy adult and loving mentors, a poem that a child could perhaps write themselves and an understanding of emotions that is still developing (“Mother, who made her feel rainy,” “The garden makes her feel all sunny.”) is utterly relatable. Davenier’s illustrations are simultaneously realistic and dream-like, with crayon-like scribbles for shadows, and fit beautifully with Dickenson’s personal smudgy and messy handwriting style.
An imagined and evocative picture book account of Emily Dickinson’s childhood poetic beginnings. As a young girl, Emily Dickinson loved to scribble curlicues and circles, imagine new rhymes, and connect with the natural world around her. The sounds, sights, and smells of home swirled through her mind, and Emily began to explore writing and rhyming her thoughts and impressions. She things about the real and the unreal. Perhaps poems are the in-between. This thoughtful spotlight on Emily’s early experimentations with poetry offers a unique window into one of the world’s most famous and influential poets. Christy Ottaviano Books
Emily Dickison is currently a world-renowned poet, but she started off small. Can you come up with any three word poems, similar to Emily’s?
Emily has some relationships in her life that are supportive and some that are less so. Who do you have in your life who encourages and supports you?
As a young girl growing up in Tours, France, Christine Davenier loved listening to her older sister read fairy tales aloud. But she frequently found herself wondering, What does the princess’s beautiful dress look like? or How exquisite are her jewels? Christine was left to her own imagination, for the books had few illustrations. So it comes as little surprise that today, Christine embraces her career as an illustrator. “I’m thrilled to have the opportunity to create the illustrations I dreamed about seeing as a child,” she says. When Christine was fourteen, she received her first box of watercolor paints, a gift from her grandmother. That was the beginning of many afternoons spent painting together in her grandmother’s garden. “My grandmother was an extraordinary woman,” Christine says. “Even though she worked in an office all her life, she was an artist through and through. She shared everything she knew about color—in painting and in life. Her wisdom and talent still inspire me today.” She has illustrated many picture books, including The Other Dog by Madeline L’Engle and The Very Fairy Princess series by Julie Andrews and Emma Walton Hamilton. Christine lives in Paris, France.
To the three women who share my Emily passion: daughter Heidi, granddaughter Maddison, and editor Christy Ottaviano; and with thanks to Jane Wald of the Emily Dickinson Museum, who read my manuscript and gave me (as always) astute comments
For my dear Judy Sue, who made me discover Emily Dickinson