
Written and illustrated by Maggie Rudy
Can a city mouse and a country mouse find happiness together?
In stock. Also at Amazon.
Tansy, a country mouse, meets city mouse Will while picking berries. They quickly become friends, but their different lifestyles pose a challenge. Tansy loves the peace of the countryside, while Will thrives in the city's hustle. As they struggle to find common ground, can they discover a place where both can be happy? Join them on a journey of friendship and compromise in this charming retelling of a classic tale.
"Who are you?" said Tansy. "I'm William Gray," said the mouse, "and you scared the pants off me."
— from the book
In this modern twist from Maggie Rudy on the classic tale of the city mouse and the country mouse, Will and Tansy meet and become friends. But Will loves the bustling city and Tansy loves the quiet country. Will these two friends find a way to live mousily ever after?
I hope the story shows how Tansy and Will learn that sometimes friends need to compromise. I hope children laugh at the silly stuff, and as with all my books, I hope they spend hours poring over the details, looking for hidden surprises, and wondering at the beauty and richness of the natural world.
“VERDICT Even if this tale is already represented in collections, this cleverly illustrated addition is well deserving of a place. Great for independent reading and small group sharing.”
Critic
“Maggie Rudy’s reimagining of an Aesop tale, “City Mouse, Country Mouse” has more ambition as a story and a wider scope of illustration. . . There’s push and pull between city and country as each mouse tries in vain to adjust to an unfamiliar setting, before Tansy and William depart from Aesop and meet in the middle.”
Critic
“Notice also the exquisite expressions on the faces of the mice in each scene. Rudy has captured looks of wonder, eagerness, mournful sadness, and intense conversation. These mice are creatures we can care about because we recognizable their feelings. Celebrating the merits of compromise—and allowing for a “happily ever after” ending—this less preachy version of Aesop’s tale is more appealing to most modern readers than the ones advocating avoiding risk and lowering one’s expectations.”
Critic
“Rudy’s intricately constructed miniature tableaux of found materials and felted characters, photographed by her, offer much to pore over, and the double-page spreads depicting pastoral scenes, city streets, and their newfound in-between town are beautifully realized. . .There’s always room for another take on a classic, especially when done so well.”
Critic
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