What appear to be four separate stories, one installment of each appearing on each spread of the book, turn out to intermingle and, in time, become one story. Always Macaulay is playing with our perceptions and making allusions and illusions. A robber hides out in a herd of cattle who, in turn, disrupt the passage of a train. At the train station, passengers at first are absorbed in the newspapers they are reading, but as the wait lengthens, they start playing with the newspapers and with each other. A boy, a passenger on the train, witnesses some of the events, but not all of them. Parents, previously staid and distant, have apparently changed, at least temporarily, because of their time spent waiting for the train that day. The book can be frustratingly confusing or, in the proper hands and minds, a challenge and a source of fascination.
Born on December 2, 1946, <b>David Macaulay</b> was ten when his family moved from England to the United States. An early fascination with simple technology and a love of model making and drawing ultimately led him to study architecture at the Rhode Island School of Design. He received his degree in 1969 after spending his fifth year with RISD’s European Honors Program in Rome. The next four years were spent working in interior design, teaching junior and senior high school art and tinkering with the idea of making books. The tinkering paid off. His numerous awards include the MacArthur Fellowship, the Caldecott Medal, won for his book <i>Black and White</i>, the Boston Globe-Horn Book Award, the Christopher Award, an American Institute of Architects Medal, the Washington Children’s Book Guild Nonfiction Award, the Deutscher Jugendliteraturpreis, the Dutch Silver Slate Pencil Award, and the Bradford Washburn Award, presented by the Museum of Science in Boston to an outstanding contributor to science. He was U.S.nominee for the biennial, international Hans Christian Andersen Award in both 1984 and 2002. Macaulay currently lives with his family in Vermont.
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