Julia is a Brooklyn-based children’s author and illustrator. She studied film and animation at the Rhode Island School of Design. After graduating, she worked in film before creating and directing her own award winning animated film, “Call of the Wild,” which has been shown at film festivals around the world. Along with her success in film-making, Julia is also a talented, award winning children’s book author and illustrator.
Images courtesy of Julia Sarcone-Roach
There are a lot of ways to tell a story. Film, animation, and picture books are all forms of storytelling and sequential art.
My love of stories began early, first with picture books and then old movies with my grandpa. Together we watched black and white films, enjoying the sets, costumes, and cinematography.
I studied animation at college, and I found that while it was a closer hybrid of painting and film, I missed drawing and painting. Before I began working in film, I worked in a children’s bookstore. Then after moving to New York, I was lucky to become a children’s bookseller again. Being around such beautiful art inspired me to try creating picture books of my own.
The process of developing a picture book idea is in many ways similar to a film or animation idea. When I made films, I decided which angle to shoot, and as an illustrator, I choose what to show and how. They all begin with storyboards, which help me compose shots or pages, as well as map out the timing or flow of the story. The experience of working in film and animation has helped shape my approach to creating books.
It’s a neat city to walk around and explore. Inspiration is everywhere. I like to watch for wildlife in the city. The moments where people and nature overlap are intriguing. In Brooklyn, it could be the nighttime serenades of the raccoons from a nearby dumpster, doves nesting on the windowsill, butterflies on the stoop, or squirrel friends on the sidewalk. (Though so far, no bears.)
When I’m not writing and illustrating, I like to make other things. Small sculptures, puppets, Halloween masks, or jewelry. My husband and I also design and bake wedding cakes for friends and family. And in the summer, we raise butterflies. The butterflies began as a happy accident - the parsley was disappearing from the garden, being eaten by black swallowtail caterpillars. Now we help the caterpillars along and watch as parsley turns into butterflies.
I also like to spend time in local parks drawing, reading, or visiting the waterfowl.
I just had a sneak peek at Caron Levis’ new book Stop That Yawn!, which is a delightful, dreamy romp through the streets of Never Sleeping City. And though I tried hard, I couldn’t help but yawn through the smiles. Recently I discovered the seriously but quietly funny Professional Crocodile by Giovanna Zoboli and Mariachiara Di Giorgio and right now I am reading the beautiful and haunting A Place Where Sunflowers Grow by Amy Lee-Tai and Felicia Hoshino. Some classics from childhood that are always nearby are Robert McCloskey’s Blueberries for Sal, Virginia Lee Burton’s The Little House, and A House is a House for Me by Mary Ann Hoberman and Betty Fraser.
Why yes I do! In January 2019: a new bear book called There Are No Bears In This Bakery. It is a noir tale of a cat named Muffin, “the whiskers of the neighborhood,” who follows a low rumbling sound into the night. The strange new sound leads to an open bakery window. It’s called the Little Bear Bakery. But there are no bears there. Not real bears. Not ever. Not usually. But maybe? Muffin investigates. The result is a tasty adventure in friendship and donuts. And spoiler alert: there may be bears!