“Pietro Crespi took the sewing basket from her lap and he told her, “We’ll get married next month.” Amaranta did not tremble at the contact with his icy hands. She withdrew hers like a timid little animal and went back to her work. “Don’t be simple, Crespi.” She smiled. “I wouldn’t marry you even if I were dead.”
″[B]ut what pained her most and enraged her most and made her most bitter was the fragrant and wormy guava grove of love that was dragging her toward death. Just as Colonel Aureliano Buendía thought about his war, unable to avoid it, so Amaranta thought about Rebeca. But while her brother had managed to sterilize his memories, she had only managed to make hers more scalding.”
“Amaranta could not reconcile her image of the brother who had spent his adolescence making little gold fishes with that of the mythical warrior who had placed a distance of ten feet between himself and the rest of humanity. But when the approach of the armistice became known and they thought that he would return changed back into a human being, delivered at last for the hearts of his own people, the family feelings, dormant for such a long time, were reborn stronger than ever.”
“The only one who had not lost for a single minute the awareness that [Rebeca] was alive and rotting in her wormhole was the implacable and aging Amaranta. […]Always, at every moment, asleep and awake, during the most sublime and most abject moments, Amaranta thought about Rebeca because solitude had made a selection in her memory and had burned the dimming piles of nostalgic waste that life had accumulated in her heart, and had purified, magnified, and eternalized the others, the most bitter ones.”