“And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal.”
“My third comfort
Starr’d most unluckily, is from my breast,
The innocent milk in its most innocent mouth,
Haled out to murder: myself on every post
Proclaimed a strumpet: with immodest hatred
The child-bed privilege denied, which ‘longs
To women of all fashion; lastly, hurried
Here to this place, i’ the open air, before
I have got strength of limit.”
“I dragged that filthy thing out of the river muck in South America, and along the way we didn’t get to like each other much. You may think that thing looks human, stands on two legs right? But we’re created in the Lord’s image. You don’t think that’s what the Lord looks like?”
To the world and to his servants Danglars assumed the character of the good-natured man and the indulgent father. This was one of his parts in the popular comedy he was performing,—a make-up he had adopted and which suited him about as well as the masks worn on the classic stage by paternal actors, who seen from one side, were the image of geniality, and from the other showed lips drawn down in chronic ill-temper. Let us hasten to say that in private the genial side descended to the level of the other, so that generally the indulgent man disappeared to give place to the brutal husband and domineering father.
not merely the cost of keeping millions of men in idleness, of arming and equipping them for battle and parade, but the drain upon the vital energies of society by the war attitude and the war terror, the brutality and ignorance, the drunkenness, prostitution, and crime it entails, the industrial impotence and the moral deadness? Do you think that it would be too much to say that two hours of the working time of every efficient member of a community goes to feed the red fiend of war?”