“At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be.”
“Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over. […]
And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so; I think that is why it has so many heads.”
“I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.
I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me.”
“This paper looks to me as if it knew what a vicious influence it had! There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside-down.”
“I don’t like to look out of the windows even—there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did?”
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!”
“It used to disturb me at first. I thought seriously of burning the house—to reach the smell. But now I am used to it. The only thing I can think of that it is like is the color of the paper! A yellow smell.”
“I suppose I shall have to get back behind the pattern when it comes night, and that is hard!
It is so pleasant to be out in this great room and creep around as I please! I don’t want to go outside. I won’t, even if Jennie asks me to. For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way.”
“He’d operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacking into a custom cyberspace deck that projected his disembodied consciousness into the consensual hallucination that was the matrix.”
“Up above her was a tree in a pearly cloud of mistletoe. She did not dare to close her eyes, and when a little boy brought her a plate with a slice of marble-cake on it she spoke to him. ‘That would be acceptable,’ she said. But when she went to take it there was just her own hand in the air.”
“Franz went in with his eyes blindfolded, and was waited on by mutes and by women to whom Cleopatra was a painted strumpet. Only he is not quite sure about the women, for they did not come in until after he had taken hashish, so that what he took for women might have been simply a row of statues.”
Those two who have left the room are the only objects which retain a distinct material appearance to me; and that appearance causes me pain, amounting to agony.