“Free speech is unthinkable. All other kinds of freedom are permitted. You are free to be a drunkard, an idler, a coward, a backbiter, a fornicator; but you are not free to think for yourself.”
“In medieval Europe the Church dictated what you should believe, but at least it allowed you to retain the same beliefs from birth to death. It didn’t tell you to believe one thing on Monday and another on Tuesday. ....In a sense his thoughts are circumscribed, but he passes his whole life within the same framework of thought. His emotions aren’t tampered with. Now, with totalitarianism exactly the opposite is true. The peculiarity of the totalitarian state is that though it controls thought, it doesn’t fix it. It sets up unquestionable dogmas, and it alters them from day to day. It needs the dogmas, because it needs absolute obedience from its subjects, but it can’t avoid the changes, which are dictated by the needs of power politics. It declares itself infallible, and at the same time it attacks the very concept of objective truth.”
“If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country intellectual cowardice is the worst enemy a writer or journalist has to face,”
“The ordinary people in the street – partly, perhaps, because they are not sufficiently interested in ideas to be intolerant about them – still vaguely hold that “I suppose everyone’s got a right to their own opinion.” It is only, or at any rate it is chiefly, the literary and scientific intelligentsia, the very people who ought to be the guardians of liberty, who are beginning to despise it, in theory as well as in practice.”
“The obvious connection between personal unhappiness and the tendency to easily believe the incredible is the most interesting conclusion of this study.”
“Totalitarianism demands, in fact, the continuous alteration of the past, and in the long run probably demands a disbelief in the very existence of objective truth.”
“The inflated [speaking] style is itself a kind of euphemism. A mass of Latin words falls upon the facts like soft snow, blurring the outlines and covering up all the details. The great enemy of clear language is insincerity.”
“One ought to recognise that the present political chaos is connected with the decay of language, and that one can probably bring about some improvement by starting at the verbal end. If you simplify your English, you’re freed from the worst follies of orthodoxy. You cannot speak any of the necessary dialects, and when you make a stupid remark it’s stupidity will be obvious, even to yourself. Political language—and with variations this is true of all political parties from Conservatives to Anarchist—is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind wind.”
“Political or military commentators, like astrologers, can survive almost any mistake, because their more devoted followers do not look to them for an appraisal of the facts but for the stimulation of nationalistic loyalties.”
“Already there are countless people who would think it scandalous to falsify a scientific textbook, but would see nothing wrong in falsifying an historical fact. It is at the point where literature and politics cross that totalitarianism exerts its greatest pressure on the intellectual. The exact sciences are not, at this date, menaced to anything like the same extent. This partly accounts for the fact that in all countries it is easier for the scientists than for the writers to line up behind their respective governments.”
“An illusion can become a half-truth, a mask can alter the expression of a face. The familiar arguments to the effect that democracy is “just the same as” or “just as bad as” totalitarianism never take account of this fact. All such arguments boil down to saying that half a loaf is the same as no bread. In England such concepts as justice, liberty and objective truth are still believed in. They may be illusions, but they are very powerful illusions.”
“It appears, therefore, that though Tolstoy can explain away nearly everything about Shakespeare, there is one thing that he cannot explain away, and that is his popularity. He himself is aware of this, and greatly puzzled by it. I said earlier that the answer to Tolstoy really lies in something he himself is obliged to say. He asks himself how it is that this bad, stupid and im-moral writer Shakespeare is everywhere admired, and finally he can only explain it as a sort of world-wide conspiracy to pervert the truth.”
“Within certain limits, bad thought and bad morals can be good literature. If so great a man as Tolstoy could not demonstrate the contrary, I doubt whether anyone else can either.”