“Two young people with devastating pasts who embark on a passionate, intriguing journey to discover the lessons of life, love, trust—and above all, the healing power that only truth can bring.”
“Sephy Hadley and Callum McGregor are two young people in love. But Sephy is a Cross, the daughter of a government minister, and Callum is a Nought. In their world, Crosses and Noughts cannot be friends. Must they become enemies? Or is there hope for them - and for their unhappy country?”
Sephy Hadley and Callum McGregor are two young people in love. But Sephy is a Cross, the daughter of a government minister, and Callum is a Nought. In their world, Crosses and Noughts cannot be friends. Must they become enemies? Or is there hope for them - and for their unhappy country?
Suspense builds slowly and creates an atmosphere of grim foreboding. However, Nathaniel is the only one of the young people whose personality is distinct, and the fantasy elements in the plot are not fully developed.
“They drove under stars on a winding route that crossed and re-crossed the river. Farm hamlets lay black in sleep; copses of pine shaped the skyline. And always, against the drone of the van’s engine as it laboured through the gears, came the roar of the Maipo, amplified by the walls of the canyon.”
She saw that girls of Kitty’s age formed some sort of clubs, went to some sort of lectures, mixed freely in men’s society; drove about the streets alone, many of them did not curtsey, and, what was the most important thing, all the girls were firmly convinced that to choose their husbands was their own affair, and not their parents’. “Marriages aren’t made nowadays as they used to be,” was thought and said by all these young girls, and even by their elders.
“I would rather have young people settle on a small income at once, and have to struggle with a few difficulties together, than be involved in a long engagement.”