″‘That’s a lovely idea, Diana,’ said Anne enthusiastically. ‘Living so that you beautify your name, even if it wasn’t beautiful to begin with... making it stand in people’s thoughts for something so lovely and pleasant that they never think of it by itself.‘”
“Oh, Diana,” said Anne at last, clasping her hands and speaking almost in a whisper, “oh, do you think you can like me a little—enough to be my bosom friend?”
“He’s aw’fly handsome, Anne. And he teases the girls something terrible. He just torments our lives out.”
Diana’s voice indicated that she rather liked having her life tormented out than not.
Charlie Sloane is dead gone on you. He told his mother—his mother, mind you—that you were the smartest girl in school. That’s better than being good looking.
“I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband—I just hate him furiously.”
“Oh, Diana, do you suppose that it’s possible you’re really taking the smallpox? If you are I’ll go and nurse you, you can depend on that. I’ll never forsake you.”
“I love you devotedly, Anne,” said Diana stanchly, “and I always will, you may be sure of that.”
“And I will always love thee, Diana,” said Anne, solemnly extending her hand. “In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says.”
Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit.
“I’m so sorry for people who live in lands where there are no Mayflowers,” said Anne. “Diana says perhaps they have something better, but there couldn’t be anything better than Mayflowers, could there, Marilla?”
“When you ran off the platform after the fairy dialogue one of your roses fell out of your hair. I saw Gil pick it up and put it in his breast pocket. There now. You’re so romantic that I’m sure you ought to be pleased at that.”
“It’s nothing to me what that person does,” said Anne loftily. “I simply never waste a thought on him, Diana.”
“The idea of Miss Stacy telling us to write a story out of our own heads!”
“Why, it’s as easy as wink,” said Anne.
“It’s easy for you because you have an imagination,” retorted Diana, “but what would you do if you had been born without one?”
Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane’s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn’t know what to do with the people so she kills them off to get rid of them.
“Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died.”
“I’d rather not pass at all than not come out pretty well up on the list,” flashed Anne, by which she meant—and Diana knew she meant—that success would be incomplete and bitter if she did not come out ahead of Gilbert Blythe.
“I’m so glad my window looks east into the sun rising,” said Anne, going over to Diana. “It’s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It’s new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine.”