“Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men´s eyes, because they know -or think they know- some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.”
“Even if she be not harmed, her heart may fail her in so much and so many horrors; and hereafter she may suffer--both in waking, from her nerves, and in sleep, from her dreams.”
“It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.”
“And then, Mina, I felt a sort of duty to tell him that there was some one. I only told him that much, and then he stood up, and he looked very strong and very grave as he took both my hands in his and said he hoped I would be happy, and that if I ever wanted a friend I must count him one of my best.”
“Good, oh my friend John! Well thought of! Truly Miss Lucy, if she be sad in the foes that beset her, is at least happy in the friends that love her. One, two, three, all open their veins for her, besides one old man. Ah yes, I know, friend John; I am not blind! I love you all the more for it! Now go.”
“I am too miserable, too low-spirited, too sick of the world and all in it, including life itself, that I would not care if I heard this moment the flapping of the wings of the angel of death.”
“But why do it at all? The girl is dead. Why mutilate her poor body without need? And if there is no necessity for a post-mortem and nothing to gain by it—no good to her, to us, to science, to human knowledge—why do it? Without such it is monstrous.”
“John, my child, you have been my friend now many years, and yet did you ever know me to do any without good cause? I may err—I am but man; but I believe in all I do.”
“You loved her too, old fellow; she told me all about it, and there was no friend had a closer place in her heart than you. I don’t know how to thank you for all you have done for her. I can’t think yet....”
Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall—all dance together to the music that he make with that smileless mouth of him.
“Then you want me not to let some previous conviction injure the receptivity of my mind with regard to some strange matter. Do I read your lesson aright?”
“I positively opened my eyes at this new development. Here was my own pet lunatic—the most pronounced of his type that I had ever met with—talking elemental philosophy, and with the manner of a polished gentleman.
I wonder if Renfield’s quiet has anything to do with this. His moods have so followed the doings of the Count, that the coming destruction of the monster may be carried to him in some subtle way.