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Eugenie Danglars Quotes

15 of the best book quotes from Eugenie Danglars
01
“To me she seems overloaded,” observed Eugénie; “she would look far better if she wore fewer, and we should then be able to see her finely formed throat and wrists.”
Source: Chapter 53, Paragraph 137
02
“M. Albert would not do us the honor to be jealous; he does not like Eugénie sufficiently. Besides, I care not for his displeasure.”
Source: Chapter 76, Paragraph 51
03
“Ask them to sing one more song; it is so delightful to hear music in the distance, when the musicians are unrestrained by observation.”
Source: Chapter 76, Paragraph 68
04
Only think, then, if Mademoiselle Danglars, instead of being called Claire-Marie-Eugénie, had been named Mademoiselle Chastity-Modesty-Innocence Danglars; what a fine effect that would have produced on the announcement of her marriage!
Source: Chapter 77, Paragraph 63
05
“Mademoiselle Eugénie scarcely answers me, and Mademoiselle d’Armilly, her confidant, does not speak to me at all.”
Source: Chapter 77, Paragraph 14
06
The baron adored Count Andrea Cavalcanti; not so Mademoiselle Eugénie Danglars. With an instinctive hatred of matrimony, she suffered Andrea’s attentions in order to get rid of Morcerf; but when Andrea urged his suit, she betrayed an entire dislike to him.
Source: Chapter 84, Paragraph 6
07
“My wish was not to confine myself to domestic cares, or the caprices of any man, but to be an artist, and consequently free in heart, in person, and in thought.”
Source: Chapter 93, Paragraph 38
08
Those gilded cashbooks, drawers locked like gates of fortresses, heaps of bank-bills, come from I know not where, and the quantities of letters from England, Holland, Spain, India, China, and Peru, have generally a strange influence on a father’s mind, and make him forget that there is in the world an interest greater and more sacred than the good opinion of his correspondents.
Source: Chapter 95, Paragraph 10
09
I rely much on external impressions; perhaps, with regard to you, they are immaterial, but I should be no artist if I had not some fancies.
Source: Chapter 95, Paragraph 10
10
Well, my dear father, in the shipwreck of life— for life is an eternal shipwreck of our hopes— I cast into the sea my useless encumbrance, that is all, and I remain with my own will, disposed to live perfectly alone, and consequently perfectly free.
Source: Chapter 95, Paragraph 18
11
The world calls me beautiful. It is something to be well received. I like a favorable reception; it expands the countenance, and those around me do not then appear so ugly. I possess a share of wit, and a certain relative sensibility, which enables me to draw from life in general, for the support of mine, all I meet with that is good, like the monkey who cracks the nut to get at its contents.
Source: Chapter 95, Paragraph 20
12
I do not willingly enter into arithmetical explanations with an artist like you, who fears to enter my study lest she should imbibe disagreeable or anti-poetic impressions and sensations. But in that same banker’s study, where you very willingly presented yourself yesterday to ask for the thousand francs I give you monthly for pocket-money, you must know, my dear young lady, that many things may be learned, useful even to a girl who will not marry. There one may learn, for instance, what, out of regard to your nervous susceptibility, I will inform you of in the drawing-room, namely, that the credit of a banker is his physical and moral life; that credit sustains him as breath animates the body; and M. de Monte Cristo once gave me a lecture on that subject, which I have never forgotten. There we may learn that as credit sinks, the body becomes a corpse, and this is what must happen very soon to the banker who is proud to own so good a logician as you for his daughter.
Source: Chapter 95, Paragraph 29
13
From my earliest recollections, I have been beloved by no one—so much the worse; that has naturally led me to love no one—so much the better—now you have my profession of faith.
Source: Chapter 95, Paragraph 35
14
“Oh, why is not the world a wilderness?” she exclaimed, throwing herself into the arms of Mademoiselle d’Armilly, her eyes sparkling with the same kind of rage which made Nero wish that the Roman world had but one neck, that he might sever it at a single blow.
Source: Chapter 98, Paragraph 101
15
The daring attempt to rob the count was the topic of conversation throughout Paris for the next fortnight. The dying man had signed a deposition declaring Benedetto to be the assassin. The police had orders to make the strictest search for the murderer. Caderousse’s knife, dark lantern, bunch of keys, and clothing, excepting the waistcoat, which could not be found, were deposited at the registry; the corpse was conveyed to the morgue. The count told everyone that this adventure had happened during his absence at Auteuil, and that he only knew what was related by the Abbé Busoni, who that evening, by mere chance, had requested to pass the night in his house, to examine some valuable books in his library. Bertuccio alone turned pale whenever Benedetto’s name was mentioned in his presence, but there was no reason why anyone should notice his doing so. Villefort, being called on to prove the crime, was preparing his brief with the same ardor that he was accustomed to exercise when required to speak in criminal cases. But three weeks had already passed, and the most diligent search had been unsuccessful; the attempted robbery and the murder of the robber by his comrade were almost forgotten in anticipation of the approaching marriage of Mademoiselle Danglars to the Count Andrea Cavalcanti.
Source: Chapter 84, Paragraphs 1-4

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