concept

character Quotes

100+ of the best book quotes about character
01
“It’s never an insult to be called what somebody thinks is a bad name. It just shows you how poor that person is, it doesn’t hurt you.”
02
“Before Jem looks at anyone else he looks at me, and I’ve tried to live so I can look squarely back at him.”
03
“What I meant was, if Atticus Finch drank until he was drunk he wouldn’t be as hard as some men are at their best. There are just some kind of men who-who’re so busy worrying about the next world they’ve never learned to live in this one, and you can look down the street and see the results.”
04
“It was times like these when I thought my father, who hated guns and had never been to any wars, was the bravest man who ever lived.”
05
“There are some men in this world who are born to do our unpleasant jobs for us. Your father’s one of them.”
06
“Deeds will not be less valiant because they are unpraised.”
07
“I am who I am and I have the need to be.”
08
“No one is ever satisfied where he is.”
09
“When someone blushes, doesn’t that mean ‘yes’?”
10
“Good things come to those who find it and shove it in their mouth!”
11
“People aren’t either wicked or noble. They’re like chef’s salads, with good things and bad things chopped and mixed together in a vinaigrette of confusion and conflict.”
12
“In my experience, Well-read people are less likely to be evil.”
13
“Oftentimes. when people are miserable, they will want to make other people miserable, too. But it never helps.”
14
“Have a heart that never hardens, and a temper that never tires, and a touch that never hurts.”
15
“I must be taken as I have been made. The success is not mine, the failure is not mine, but the two together make me.”
16
“Oh come, now, you don’t mean to let on that you like it?” The brush continued to move. “Like it? Well I don’t see why I oughtn’t to like it. Does a boy get a chance to whitewash a fence every day?” That put the thing in a new light. Ben stopped nibbling his apple. Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticized the effect again—Ben watching every move and getting more and more interested, more and more absorbed. Presently he said: “Say, Tom, let me whitewash a little.”
17
“The instrument through which you see God is your whole self. And if a man’s self is not kept clean and bright, his glimpse of God will be blurred.”
18
“What you see and what you hear depends a great deal on where you are standing. It also depends on what sort of person you are.”
19
“No man knows how bad he is till he has tried very hard to be good.”
20
“If a man thinks he is not conceited, he is very conceited indeed.”
21
“Each day we are becoming a creature of splendid glory or one of unthinkable horror.”
22
“When we Christians behave badly, or fail to behave well, we are making Christianity unbelievable to the outside world.”
23
“There are only two kinds of people: those who say to God, ‘Thy will be done,’ and those to whom God says, ‘All right, then, have it your way.‘”
24
“In our own case we accept excuses too easily; in other people’s, we do not accept them easily enough.”
25
“The sincere wish to be good is half the battle.”
26
“There are many Beth’s in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.”
27
“You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.”
28
“Because they are mean is no reason why I should be. I hate such things, and though I think I’ve a right to be hurt, I don’t intend to show it.”
29
“When we make little sacrifices we like to have them appreciated, at least.”
31
“We all have souls of different ages.”
32
“To be honest, I can’t imagine how anyone could say ‘I’m weak’ and then stay that way. If you know that about yourself, why not fight it, why not develop your character?”
33
“I’ve learned one thing: you only really get to know a person after a fight. Only then can you judge their true character!”
34
“Whoever’s calm and sensible is insane!”
35
“When there are miles to go before we sleep, altered traits are more important than altered states.”
36
“It’s just that sometimes, our future is dictated by what we are, as opposed to what we want.”
37
“Love, after all, always said more about those who felt it than it did about the ones they loved.”
38
“When you chase a dream, you learn about yourself. You learn your capabilities and limitations, and the value of hard work and persistence.”
39
“Why don’t you just be yourself? … No one can help but admire your spirit.”
40
“There are some who can live without wild things, and some who cannot.”
41
“You’ve got about as much charm as a dead slug.”
42
“She knew the years of isolation had altered her behavior until she was different from others, but it wasn’t her fault she’d been alone. Most of what she knew, she’d learned from the wild. Nature had nurtured, tutored, and protected her when no one else would.”
43
“When looking for a life partner, my advice to women is date all of them: the bad boys, the cool boys, the commitment-phobic boys, the crazy boys. But do not marry them. The things that make the bad boys sexy do not make them good husbands. When it comes time to settle down, find someone who wants an equal partner. Someone who thinks women should be smart, opinionated and ambitious. Someone who values fairness and expects or, even better, wants to do his share in the home. These men exist and, trust me, over time, nothing is sexier.”
44
Never explain what you do. It speaks for itself. You only muddle it by talking about it.
45
The city became for me the ideal of what I wanted to be as a grown-up. Friendly, but never gushing, cool but not frigid or distant, distinguished without the awful stiffness.
46
“No varnish can hide the grain of the wood; and that the more varnish you put on, the more the grain will express itself.”
47
“I learned to recognise the thorough and primitive duality of man; I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both.”
48
“Under the strain of this continually impending doom and by the sleeplessness to which I now condemned myself, ay, even beyond what I had thought possible to man, I became, in my own person, a creature eaten up and emptied by fever, languidly weak both in body and mind, and solely occupied by one thought: the horror of my other self.”
49
“People always fall in love with the most perfect aspects of each other’s personalities. Who wouldn’t? Anybody can love the most wonderful parts of another person. But that’s not the clever trick. The really clever trick is this: Can you accept the flaws? Can you look at your partner’s faults honestly and say, ‘I can work around that. I can make something out of it.’? Because the good stuff is always going to be there, and it’s always going to pretty and sparkly, but the crap underneath can ruin you.”
50
“If you think I’m one of those people who try to be funny at breakfast you’re wrong. I’m invariably ill-tempered in the early morning.”
51
“Perhaps it is impossible for a person who does no good not to do harm.”
52
“I suppose if a man has something once, always something of it remains.”
53
“If a man’s word isn’t any good, he’s no good himself.”
54
“It is good people who make good places.”
55
Truly great men must, I think, experience great sorrow on the earth.
56
“Heidi was never unhappy, for wherever she was she found something to interest or amuse her.”
57
“You’re wrong. She is a phony. But on the other hand you’re right. She isn’t a phony because she’s a real phony. She believes all this crap she believes. You can’t talk her out of it.”
58
“The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.”
59
“All men want, not something to do with, but something to do, or rather something to be.”
60
The most perceptive character in a play is the fool, because the man who wishes to seem simple cannot possibly be a simpleton.
61
“The praise of the praiseworthy is above all rewards.”
62
“Courage. Kindness. Friendship. Character. These are the qualities that define us as human beings, and propel us, on occasion, to greatness.”
63
“The better ambitions have to do with the development of character and ability, rather than status and power. Status you can lose. You carry character with you wherever you go, and it allows you to prevail against adversity.”
64
″‘People tend to overestimate my character,’ I say quietly. ‘They think that because I’m small, or a girl, or a Stiff, I can’t possibly be cruel. But they’re wrong.‘”
65
“I want to be brave, and selfless, and smart, and kind, and honest.”
character
concept
66
“the strength of character gained will be the measure of his true success, and this will form a new starting-point for future power and triumph.”
67
“A man is literally what he thinks, his character being the complete sum of all his thoughts.”
68
“There is only one thing that I dread: not to be worthy of my sufferings.”
69
Do not accept the roles that society foists on you. Re-create yourself by forging a new identity, one that commands attention and never bores the audience. Be the master of your own image rather than letting others define if for you. Incorporate dramatic devices into your public gestures and actions – your power will be enhanced and your character will seem larger than life.
70
“How does going to one of those other planets help you? You’ll still be a parasite, [Wanda].”
characters
concept
71
’He pulled my curtain aside and looked across the street. “One’s character is set at any early age, son. The choices you make now will affect you for the rest of your life.” He was quiet for a minute, then dropped the curtain and said, “I hate to see you swim out so far you can’t swim back.” ’
72
“Oh for a man who is a man, and, as my neighbor says, has a bone in his back which you cannot pass your hand through!”
73
“The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way.”
74
“Any fool can criticize, complain, and condemn—and most fools do. But it takes character and self-control to be understanding and forgiving.”
75
“What’s the point of having a voice if you’re gonna be silent in those moments you shouldn’t be?”
76
“We are all born mad. Some remain so.”
77
“My voice is changing already. It always happens around ‘other’ people, whether I’m at Williamson or not. I don’t talk like me or sound like me. I choose every word carefully and make sure I pronounce them well. I can never, ever let anyone think I’m ghetto.”
78
″If you want to have a happy marriage, be the kind of person who generates positive energy and sidesteps negative energy rather than empowering it. If you want to have a more pleasant, cooperative teenager, be a more understanding, empathic, consistent, loving parent. If you want to have more freedom, more latitude in your job, be a more responsible, a more helpful, a more contributing employee. If you want to be trusted, be trustworthy. If you want the secondary greatness of recognized talent, focus first on primary greatness of character.″
79
“The true measure of our character is how we treat the poor, the disfavored, the accused, the incarcerated, and the condemned.”
80
“It is our choices, Harry, that show what we truly are, far more than our abilities.”
81
“It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such things as a soul mate, because we don’t have genuine souls.”
82
“Character reigns preeminent in determining potential.”
83
“The values of the world we inhabit and the people we surround ourselves with have a profound effect on who we are.”
84
“On the one hand, we proudly profess certain sublime and noble principles, but on the other hand, we sadly practice the very antithesis of these principles.”
85
“More about Howl? Sophie thought desperately. I have to blacken his name! Her mind was such a blank that for a second it actually seemed to her that Howl had no faults at all. How stupid! ‘Well, he’s fickle, careless, selfish, and hysterical,’ she said. ‘Half the time I think he doesn’t care what happens to anyone as long as he’s all right—but then I find out how awfully kind he’s been to someone. Then I think he’s kind just when it suits him—only then I find out he undercharges poor people. I don’t know, Your Majesty. He’s a mess.‘”
86
″ When he smiled he showed a row of strong white teeth. ‘God never made a finer woman than my mother and my daddy’s heart was pure gold,’ he said.”
87
“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”
88
“‘Men are what they are because of what they do. Not what they say.‘”
89
“In the most general sense, talent is the sum of a person’s abilities—his or her intrinsic gifts, skills, knowledge, experience, intelligence, judgment, attitude, character, and drive. It also includes his or her ability to learn and grow.”
90
“Have you never observed how invincible and unconquerable is spirit and how the presence of it makes the soul of any creature to be absolutely fearless and indomitable?”
author
character
91
“If Grandpa Portman wasn’t honorable and good, I wasn’t sure anyone could be.”
92
“a woman who has adjusted to many things in life and overcome many more, her face is full of strength. She has, we can see, wit and faith of a kind that keep her eyes lit and full of interest and expectancy. She is, in a word, a beautiful woman. Her bearing is perhaps most like the noble bearing of the women of the Hereros of Southwest Africa - rather as if she imagines that as she walks she still bears a basket or a vessel upon her head.”
93
“My point is that there can be no exceptions allowed on the score of character, position, or probability. What we must now examine is the possibility of eliminating one or more persons on the facts.”
94
“I have never been one to flinch or crawfish when faced with an unpleasant task.”
95
“Asking for something is easy, being responsible for it is the part that develops character.”
96
“He was traveling (on the train that never stopped). His self, his mind, raced on and he felt he hadn’t stopped going wherever he was going because he hadn’t yet arrived.”
97
“The morality of my activities escapes me.”
98
“The character of the tribunes was, in every respect, different from that of the consuls. The appearance of the former was modest and humble; but their persons were sacred and inviolable. Their force was suited rather for opposition than for action. They were instituted to defend the oppressed, to pardon offences, to arraign the enemies of the people, and, when they judged it necessary, to stop, by a single word, the whole machine of government.”
99
“He’s no right to take away my character. My character is the same to me as any lady’s.”
100
“Excuse the straight question, Higgins. Are you a man of good character where women are concerned?”
101
“The true character of a person is not seen in their everyday routine or even in their greatest accolades; the true test of a person’s character is witnessing the immediate steps after one of their greatest mistakes.‘”
102
“Any arbitrary turning along the way and I would be elsewhere; I would be different.”
103
“Ivan Ilych was...a capable, cheerful, good-natured, and sociable man, though strict in the fulfillment of what he considered to be his duty: and he considered his duty to be what was so considered by those in authority.”
104
“Thus, neither having the clue to the other’s secret, they were respectively puzzled at what each revealed, and awaited new knowledge of each other’s character and moods without attempting to pry into each other’s history.”
105
“The warrior knows that peace does not come from control but from relinquishing control. Everything in life that you try to control that is outside your control will steal from you your peace. You must choose to take hold of what you can control and let go of what you cannot. You cannot control your circumstances, but you can control your character. You cannot control the actions of others, but you can control the choices you make. You cannot control the outcome, but you can control the process.”
106
“Once there was a certain man who was very clever, but it was his character to always see the negative points of his jobs. In such a way, one will be useless.”
107
“That the orator’s own character should look right is particularly important in political speaking: that the audience should be in the right frame of mind, in lawsuits.”
108
“There are three things which inspire confidence in the orator’s own character-the three, namely, that induce us to believe a thing apart from any proof of it: good sense, good moral character, and goodwill.”
109
“Those who are in earnest do not die, those who are thoughtless are as if dead already.”
110
“I will write my name in fire red, Antoinette Mason, née Cosway, Mount Calvary Convent, Spanish Town, Jamaica, 1839.”
111
“I Tiresias, old man with wrinkled dugs Perceived the scene, and foretold the rest— I too awaited the expected guest.”
112
“The fall from my horse had fortunately left no evil results; on the contrary it had changed my whole character for the better. From a lazy young man about town, I had become active, energetic, temperate, and above all--oh, above all else--ambitious.”
113
“What is now important is the courage he displayed in support of his convictions.”
114
“And yet the fire through which Alexander Crummell went did not burn in vain. Slowly and more soberly he took up again his plan of life. More critically he studied the situation. Deep down below the slavery and servitude of the Negro people he saw their fatal weaknesses, which long years of mistreatment had emphasized. The dearth of strong moral character, of unbending righteousness, he felt, was their great shortcoming, and here he would begin.”
115
“All humans make mistakes. What determine a person’s character aren’t the mistakes we make. It is how we take those mistakes and turn them into lessons rather than excuses.”
116
“Each thing in its way, when true to its own character, is equally beautiful.”
117
“A person whose desires and impulses are his own- are the expression of his own nature, as it has been developed and modified by his own culture- is said to have character.”
118
“In the old tales, kindness is the purest form of heroism. Find the character who meets the world with a big heart and an open hand and you have found your hero or heroine.”
119
“You can often judge the character of a person by the way he treats his fellow men.”
120
“Many of us felt that we had plenty of character. There was a tremendous urge to cease forever. Yet we found it impossible. This is the baffling feature of alcoholism as we know it – this utter inability to leave it alone, no matter how great the necessity or the wish.”
121
“…the best actors are the most boring people. A strong sense of self was detrimental, because an actor had to let the self disappear; he had to let himself be subsumed by a character. ‘If you want to be a personality, be a pop star.‘”
122
Lucas Swain is a likeable character who doesn’t have many friends and absolutely no girlfriends. He has wondered why his father left and begins to put the peices together when he becomes convinced an urn of ashes begins speaking to him.
123
Duborsarsky’s descriptions of the girls’ surroundings, as well as her subtle details about each one of their personalities, creates very vivid images of each character. However, the characters as a whole seem to fall a bit short, never being fully realized, as only Matilda seems to go through the greatest changes from beginning to end.
124
Raven does come across as the typical bad boy at the beginning, but there is definitely a lot more to his character when you see how he behaves around his brothers and his family in general.
125
″‘Why should I make you new feet? To enable you to escape again from home?’ ‘I promise you,’ said the puppet, sobbing, ‘that for the future I will be good.’ ‘All boys,’ replied Geppetto, ‘when they are bent upon obtaining something, say the same thing.’ ‘I promise you that I will go to school, and that I will study and earn a good character.‘”
126
“It was, perhaps, the narrow limits to which he thus confined himself upon the guitar, which gave birth, in great measure, to the fantastic character of his performances.”
127
“The relationship between Jess and her grandfather. They were very close despite his crabbiness. It was nice that Jess was able to look beyond that. I thought the ending of this book was really good. Things really came together and made sense. However, I didn’t like the way Jess’ grandfather treated her father; that made me dislike the character of the grandfather a little bit.”
128
“I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by their character.”
129
″‘What characterizes the human race more?‘, Karla once asked me, ‘cruelty, or the capacity to feel shame for it?‘”
130
“I’m lonelier and wiser now, and I know it isn’t cruelty or shame that characterizes the human race. It’s forgiveness that makes us what we are.”
131
“Your character is the most precious thing about you. Don’t let it degrade.”
132
“Light may be my one defining motive and the essence of my character, and my early years were simply flooded with it.”
133
“The tragedy of Nixon was that he had immense political talent and intelligence; if only he had also possessed the ability to look within and measure the darker sides to his character. It is the tragedy that confronts us all to the extent that we remain in deep denial.”
134
“Trust is equal parts character and competence... You can look at any leadership failure, and it’s always a failure of one or the other.”
135
“He had been chosen for the post by King Basil the bear because of his upright, trustworthy character, and he accepted because he couldn’t possibly have refused. He loved the rough, gruff, fatherly King.”
136
The novel itself is excellent. The character journey accompanied by the physical is a favourite. The confusion and disjoint with reality experienced by the characters is palpable.
137
“There is no character, howsoever good and fine, but it can be destroyed by ridicule, howsoever poor and witless. Observe the ass, for instance: his character is about perfect, he is the choicest spirit among all the humbler animals, yet see what ridicule has brought him to. Instead of feeling complimented when we are called an ass, we are left in doubt.”
138
″...that was the first time in my life I ever felt I could be snatched out of my character, my calling, my reputation, as if they could fall away like a dry husk.”
139
From that moment on, I was no longer a liberal, a believer in the self-correcting character of American democracy. I was a radical, believing that something fundamental was wrong in this country--not just the existence of poverty amidst great wealth, not just the horrible treatment of black people, but something rotten at the root. The situation required not just a new president or new laws, but an uprooting of the old order, the introduction of a new kind of society--cooperative, peaceful, egalitarian.”
140
“God give me the courage and strength to know who I really am, to act accordingly in my life, and to refrain from diverting my time, energy, and interest into my character defects.”
141
“In my opinion, too much attention to weather makes for instability of character.”
142
“What struck Tom’s youthful imagination was the desperate and lawless character of most of the stories. Was the guard hoaxing him? He couldn’t help hoping that they were true. It’s very odd how almost all English boys love danger. You can get ten to join a game, or climb a tree, or swim a stream, when there’s a chance of breaking their limbs or getting drowned, for one who’ll stay on level ground, or in his depth, or play quoits or bowls.”
143
“There’s something reckless about her- it feels as though she might do anything. Unpredictable. Dangerous. And given this morning’s outing she’s clearly got issues with the police.”
144
“It’s so very like you, isn’t it? The elegant exterior, the cheap grubby reality inside.”
145
Mrs Mooney was a butcher’s daughter. She was a woman who was quite able to keep things to herself: a determined woman.
146
Jack Mooney, the Madam’s son, who was clerk to a commission agent in Fleet Street, had the reputation of being a hard case.
147
Little Chandler remembered (and the remembrance brought a slight flush of pride to his cheek) one of Ignatius Gallaher’s sayings when he was in a tight corner: “Half time now, boys,” he used to say light-heartedly. “Where’s my considering cap?” That was Ignatius Gallaher all out; and, damn it, you couldn’t but admire him for it.
148
There was something vulgar in his friend which he had not observed before. But perhaps it was only the result of living in London amid the bustle and competition of the Press.
149
This union exalted him, wore away the rough edges of his character, emotionalised his mental life.
150
She had a smile for everybody.
Source: Chapter 1, Line 27
151
The first to appear was Major Rumbold, a tall, grey-haired, grey-moustached, silent man, wearing a Norfolk coat and grey flannel trousers, who lived on his retired pay and wrote natural history articles for the papers.
Source: Chapter 2, Line 7
152
“Good God!” said Mark suddenly. There was an instinctive turning of heads towards him. “I beg your pardon, Miss Norris. Sorry, Betty.” Miss Norris smiled her forgiveness. She often wanted to say it herself, particularly at rehearsals.
Source: Chapter 2, Line 25-27
153
“I will stay if I can be of any help.” “Please do. You see, there are women. It will be rather painful. If you would—” He hesitated, and gave Antony a timid little smile, pathetic in so big and self-reliant a man. “Just your moral support, you know. It would be something.”
Source: Chapter 3, Line 45-46
154
Mrs. Calladine was quietly mistress of herself.
Source: Chapter 4, Line 20
155
Cayley’s qualities, as they appeared to Bill, may have been chiefly negative; but even if this merit lay in the fact that he never exposed whatever weaknesses he may have had, this is an excellent quality in a fellow-guest (or, if you like, fellow-host) in a house where one is continually visiting. Mark’s weaknesses, on the other hand, were very plain to the eye, and Bill had seen a good deal of them.
Source: Chapter 12, Line 57
156
I used to gloat over Mark, thinking how utterly he was mine to ruin as I pleased, financially, morally, whatever way would give me most satisfaction.
Source: Chapter 21, Line 8
157
She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor.
Source: Chapter 1, Line 12
158
“Well, you’d better question the girl,” said the station-master carelessly. “I dare say she’ll be able to explain—she’s got a tongue of her own, that’s certain.”
Source: Chapter 2, Line 12
159
Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he “kind of liked her chatter.”
Source: Chapter 2, Line 28
160
“She’s got too much to say,” thought Marilla, “but she might be trained out of that. And there’s nothing rude or slangy in what she does say. She’s ladylike. It’s likely her people were nice folks.”
Source: Chapter 5, Line 23
161
“I reckon she ought to be punished a little. But don’t be too hard on her, Marilla. Recollect she hasn’t ever had anyone to teach her right.”
Source: Chapter 10, Line 4
162
Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies.
Source: Chapter 11, Line 19
163
“A good man’s prayers are golden recompense!”
Source: Chapter 20, Paragraph 30
164
Her sisters used to say that they rather liked to get Jo into a fury because she was such an angel afterward.
Source: Chapter 8, Line 10
165
All were unconscious that this experience was a test of character, and when the first excitement was over, felt that they had done well and deserved praise. So they did, but their mistake was in ceasing to do well, and they learned this lesson through much anxiety and regret.
Source: Chapter 17, Line 4
166
“Jo March, you are perverse enough to provoke a saint!”
Source: Chapter 30, Line 9
167
Cast away at the very bottom of the table was the Professor, shouting answers to the questions of a very inquisitive, deaf old gentleman on one side, and talking philosophy with a Frenchman on the other. If Amy had been here, she’d have turned her back on him forever because, sad to relate, he had a great appetite, and shoveled in his dinner in a manner which would have horrified ‘her ladyship’. I didn’t mind, for I like ‘to see folks eat with a relish’, as Hannah says, and the poor man must have needed a deal of food after teaching idiots all day.
Source: Chapter 34, Line 21
168
She began to see that character is a better possession than money, rank, intellect, or beauty, and to feel that if greatness is what a wise man has defined it to be, ‘truth, reverence, and good will’, then her friend Friedrich Bhaer was not only good, but great.
Source: Chapter 35, Line 45
169
“You are like a chestnut burr, prickly outside, but silky-soft within, and a sweet kernal, if one can only get at it. Love will make you show your heart one day, and then the rough burr will fall off.”
Source: Chapter 43, Paragraph 11
170
Now, if she had been the heroine of a moral storybook, she ought at this period of her life to have become quite saintly, renounced the world, and gone about doing good in a mortified bonnet, with tracts in her pocket. But, you see, Jo wasn’t a heroine, she was only a struggling human girl like hundreds of others, and she just acted out her nature, being sad, cross, listless, or energetic, as the mood suggested.
Source: Chapter 43, Paragraph 14
171
“Oh, I recollect him perfectly,” cried M. de Boville; “he was crazy.”
Source: Chapter 28, Paragraph 34
172
“A friend of ten years’ standing could not have done more for us, or with a more perfect courtesy.”
Source: Chapter 36, Paragraph 85
173
“I know you to be a man of honor.”
Source: Chapter 77, Paragraph 104
174
Those gilded cashbooks, drawers locked like gates of fortresses, heaps of bank-bills, come from I know not where, and the quantities of letters from England, Holland, Spain, India, China, and Peru, have generally a strange influence on a father’s mind, and make him forget that there is in the world an interest greater and more sacred than the good opinion of his correspondents.
Source: Chapter 95, Paragraph 10
175
“Now, sir,” continued Morrel, “in these days no one can disappear by violent means without some inquiries being made as to the cause of her disappearance, even were she not a young, beautiful, and adorable creature like Valentine.”
Source: Chapter 103, Paragraph 19
176
I looked at him eagerly when he looked at me, and slightly moved my hands and shook my head. I had been waiting for him to see me that I might try to assure him of my innocence. It was not at all expressed to me that he even comprehended my intention, for he gave me a look that I did not understand, and it all passed in a moment. But if he had looked at me for an hour or for a day, I could not have remembered his face ever afterwards, as having been more attentive.
Source: Chapter 5, Paragraph 55
177
Herbert Pocket had a frank and easy way with him that was very taking. I had never seen any one then, and I have never seen any one since, who more strongly expressed to me, in every look and tone, a natural incapacity to do anything secret and mean.
Source: Chapter 22, Paragraph 28
178
There was something wonderfully hopeful about his general air, and something that at the same time whispered to me he would never be very successful or rich. I don’t know how this was.
Source: Chapter 22, Paragraph 28
179
Keep as clear of him as you can. But I like the fellow, Pip; he is one of the true sort.
Source: Chapter 26, Paragraph 50
180
Wemmick was up early in the morning, and I am afraid I heard him cleaning my boots. After that, he fell to gardening, and I saw him from my gothic window pretending to employ the Aged, and nodding at him in a most devoted manner. Our breakfast was as good as the supper, and at half-past eight precisely we started for Little Britain. By degrees, Wemmick got dryer and harder as we went along, and his mouth tightened into a post-office again. At last, when we got to his place of business and he pulled out his key from his coat-collar, he looked as unconscious of his Walworth property as if the Castle and the drawbridge and the arbour and the lake and the fountain and the Aged, had all been blown into space together by the last discharge of the Stinger.
Source: Chapter 25, Paragraph 54
181
I hope and do not doubt it will be agreeable to see him, even though a gentleman, for you had ever a good heart, and he is a worthy, worthy man.
Source: Chapter 27, Paragraph 4
182
I had not been mistaken in my fancy that there was a simple dignity in him.
Source: Chapter 27, Paragraph 65
183
I looked at those hands, I looked at those eyes, I looked at that flowing hair; and I compared them with other hands, other eyes, other hair, that I knew of, and with what those might be after twenty years of a brutal husband and a stormy life. I looked again at those hands and eyes of the housekeeper, and thought of the inexplicable feeling that had come over me when I last walked—not alone—in the ruined garden, and through the deserted brewery. I thought how the same feeling had come back when I saw a face looking at me, and a hand waving to me from a stage-coach window; and how it had come back again and had flashed about me like lightning, when I had passed in a carriage—not alone—through a sudden glare of light in a dark street. I thought how one link of association had helped that identification in the theatre, and how such a link, wanting before, had been riveted for me now, when I had passed by a chance swift from Estella’s name to the fingers with their knitting action, and the attentive eyes. And I felt absolutely certain that this woman was Estella’s mother.
Source: Chapter 48, Paragraph 35
184
The kind of submission or resignation that he showed was that of a man who was tired out. I sometimes derived an impression, from his manner or from a whispered word or two which escaped him, that he pondered over the question whether he might have been a better man under better circumstances. But he never justified himself by a hint tending that way, or tried to bend the past out of its eternal shape.
Source: Chapter 56, Paragraph 4
185
She did not see him straight away, but when she did notice him under the couch—he had to be somewhere, for God’s sake, he couldn’t have flown away—she was so shocked that she lost control of herself and slammed the door shut again from outside. But she seemed to regret her behaviour, as she opened the door again straight away and came in on tip-toe as if entering the room of someone seriously ill or even of a stranger.
Source: Chapter 2, Paragraph 7
186
Stepan Arkadyevitch took in and read a liberal paper, not an extreme one, but one advocating the views held by the majority. And in spite of the fact that science, art, and politics had no special interest for him, he firmly held those views on all these subjects which were held by the majority and by his paper, and he only changed them when the majority changed them—or, more strictly speaking, he did not change them, but they imperceptibly changed of themselves within him.
Source: Chapter 1, Paragraph 54
187
You have a character that’s all of a piece, and you want the whole of life to be of a piece too—but that’s not how it is. You despise public official work because you want the reality to be invariably corresponding all the while with the aim—and that’s not how it is. You want a man’s work, too, always to have a defined aim, and love and family life always to be undivided—and that’s not how it is.
Source: Chapter 1, Paragraph 443
188
Vronsky’s life was particularly happy in that he had a code of principles, which defined with unfailing certitude what he ought and what he ought not to do. This code of principles covered only a very small circle of contingencies, but then the principles were never doubtful, and Vronsky, as he never went outside that circle, had never had a moment’s hesitation about doing what he ought to do. These principles laid down as invariable rules: that one must pay a cardsharper, but need not pay a tailor; that one must never tell a lie to a man, but one may to a woman; that one must never cheat anyone, but one may a husband; that one must never pardon an insult, but one may give one and so on. These principles were possibly not reasonable and not good, but they were of unfailing certainty, and so long as he adhered to them, Vronsky felt that his heart was at peace and he could hold his head up.
Source: Chapter 3, Paragraph 499
189
“Something of that kind it was that they shouted to us last moon, but we never noticed them. They will say anything—even that thou hast lost all thy teeth, and wilt not face anything bigger than a kid, because (they are indeed shameless, these Bandar-log)—because thou art afraid of the he-goat’s horns,”
Source: Chapter 3, Paragraph 77
190
“Besides, they called me speckled frog.”
Source: Chapter 3, Paragraph 107
191
Granted, granted, I am a scoundrel, but she is a woman of a noble heart, full of sentiments, refined by education.
Source: Chapter 3, Paragraph 18
192
And He will say unto us, ‘Ye are swine, made in the Image of the Beast and with his mark; but come ye also!’
Source: Chapter 3, Paragraph 36
193
“What if man is not really a scoundrel, man in general, I mean, the whole race of mankind—then all the rest is prejudice, simply artificial terrors and there are no barriers and it’s all as it should be.”
Source: Chapter 3, Paragraph 55
194
″...and by giving way to such passion you injure your own character as much, nay more, than you injure your horse;”
Source: Chapter 11, Paragraph 10
195
“But she is not very clever either, eh? She is essentially, essentially an unaccountable character!
Source: Chapter 11, Paragraph 74

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