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Milan Kundera Quotes

21 of the best book quotes from Milan Kundera
01
“We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspiring, is playing the “Es muss sein!” to our own great love.”
02
“Loves are like empires: when the idea they are founded on crumbles, they, too, fade away.”
03
“The heaviest of burdens is therefore simultaneously an image of life’s most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become.”
04
“Tomas often thought of Tereza’s remark about his friend Z. and came to the conclusion that the love story of his life exemplified not “Es muss sein! ” (It must be so), but rather “Es konnte auch anders sein” (It could just as well be otherwise).”
05
“Tomas suddenly realized that he was not at all sure he had made the proper choice, but he felt bound to it by then by an unspoken vow of fidelity, so he stood fast. And that is how he became a window washer.”
06
“We can never know what to want, because, living only one life, we can neither compare it with our previous lives nor perfect it in our lives to come.”
07
“The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful. From the time he met Tereza, no woman had the right to leave the slightest impression on that part of his brain.”
08
“Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company.”
09
“For seven years he had lived bound to her, his every step subject to her scrutiny. She might as well have chained iron balls to his ankles. Suddenly his step was much lighter. He soared. He had entered Parmenides’ magic field: he was enjoying the sweet lightness of being.”
10
“When the heart speaks, the mind finds it indecent to object.”
11
“Anyone whose goal is ‘something higher’ must expect someday to suffer vertigo.”
12
“For there is nothing heavier than compassion. Not even one’s own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes.”
13
“The sketch that is our life is a sketch for nothing, an outline with no picture.“
14
“Because love means renouncing strength.“
15
“Actually, he had always preferred the unreal to the real. Just as he felt better at demonstrations (which, as I have pointed out, are all playacting and dreams) than in a lecture hall full of students, so he was happier with Sabina the invisible goddess than the Sabina who had accompanied him throughout the world and whose love he constantly feared losing.”
16
“The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness.”
17
“She loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.”
18
“When a private talk over a bottle of wine is broadcast on the radio, what can it mean but that the world is turning into a concentration camp? […] A concentration camp is the complete obliteration of privacy.”
19
“What is unique about the ‘I’ hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual ‘I’ is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.”
20
″ ‘I want you to be old. Ten years older. Twenty years older!’ What she meant was: I want you to be weak. As weak as I am.”
21
“I have said before that metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.”
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