“Bit by bit, at 124 and in the Clearing, along with others, she had claimed herself. Freeing yourself was one thing; claiming ownership of that freed self was another.”
“I am Beloved and she is mine. I see her take flowers away from leaves she puts them in a round basket the leaves are not for her she fills the basket she opens the grass I would help her but the clouds are in the way how can I say things that are pictures I am not separate from her there is no place where I stop her face is my own and I want to be there in the place where her face is and to be looking at it too a hot thing”
“I don’t care what she is. Grown don’t mean nothing to a mother. A child is a child. They get bigger, older, but grown? What’s that supposed to mean? In my heart it don’t mean a thing.”
“This and much more Denver heard her say from her corner chair, trying to persuade Beloved, the one and only person she felt she had to convince, that what she had done was right because it came from true love.”
“But her brain was not interested in the future. Loaded with the past and hungry for more, it left her no room to imagine, let alone plan for, the next day.”
“Denver looked up at her. She did not know it then, but it was the word ‘baby’, said softly with such kindness, that inaugurated her life in the world as a woman”
“Everybody knew what she was called, but nobody anywhere knew her name. Disremembered and unaccounted for, she cannot be lost because no one is looking for her, and even if they were, how can they call her if they don’t know her name? Although she has claim, she is not claimed.”
“To Sethe, the future was a matter of keeping the past at bay. The ‘better life’ she believed she and Denver were living was simply not that other one.”
“You are my face; I am you. Why did you leave me who am you?
I will never leave you again
Don’t ever leave me again
You will never leave me again
You went in the water
I drank your blood
I brought your milk
You forgot to smile
I loved you
You hurt me
You came back to me
You left me
I waited for you
You are mine
You are mine
You are mine”
“Why was there nothing it refused? No misery, no regret, no hateful picture too rotten to accept? Like a greedy child it snatched up everything. Just once, could it say, No thank you? I just ate and can’t hold another bite? . . . But my greedy brain says, Oh thanks, I’d love more . . . my brain would go right ahead and take it and never say, No thank you. I don’t want to know or have to remember that.”
“The birdlike gestures are worn away to a mere picking and plucking her way between the tire rims and the sunflowers, between Coke bottles and milkweed, among all the waste and beauty of the world—which is what she herself was. All of our waste which we dumped on her and which she absorbed. And all of our beauty, which was hers first and which she gave to us.”
“We had defended ourselves since memory against everything and everybody, considered all speech a code to be broken by us, and all gestures subject to careful analysis; we had become headstrong, devious, and arrogant. Nobody paid us any attention, so we paid very good attention to ourselves. Our limitations were not known to us—not then.”
“Of all the wishes people had brought him - money, love, revenge - this seemed to him the most poignant and the one most deserving of fulfillment. A little black girl who wanted to rise up out of the pit of her blackness and see the world with blue eyes.”
“So she became, and her process of becoming was like most of ours: she developed a hatred for things that mystified or obstructed her; acquired virtues that were easy to maintain; assigned herself a role in the scheme of things; and harked back to simpler times for gratification.”
“It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different.”
“Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe.”
“Adults, older girls, shops, magazines, newspapers, window sign - all the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured. ‘Here,’ they said, ‘this is beautiful, and if you are on this day “worthy” you may have it.”
“‘You think I don’t know what your life is like just because I ain’t living it? I know what every colored woman in this country is doing.’
‘What’s that?’
‘Dying., Just like me. But the difference is they dying like a stump. Me, I’m going down like one of those redwoods. I sure did live in this world.’”
“It was on that train, shuffling toward Cincinnati, that she resolved to be on guard—always. She wanted to make certain that no man ever looked at her that way. That no midnight eyes or marbled flesh would ever accost her and turn her into jelly.”
“Each time she said the word me there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut. ‘Me,’ she murmured. And then, sinking deeper into the quilts, ‘I want…I want to be…wonderful. Oh, Jesus, make me wonderful.’”
“Nibbling at each other, not even touching, not even looking at each other, just their lips, and when I opened the door they didn’t even look for a minute and I thought the reason they are not looking up is because they are not doing that. So it’s all right. I am just standing here. They are not doing that. I am just standing here and seeing it, but they are not really doing it”
“Her once beautiful leg had no stocking and the foot was in a slipper. Nel wanted to cry—not for Eva’s milk-dull eyes or her floppy lips, but for the once proud foot accustomed for over a half century to a fine well-laced shoe, now stuffed gracelessly into a pink terrycloth slipper.”
“He fought a rising hysteria that was not merely anxiety to free his aching feet his very life depended on the release of the knots. Suddenly without raising his eyelids, he began to cry.”
“‘All that time, all that time, I thought I was missing Jude.’ And the loss pressed down on her chest and came up into her throat. ‘We was girls together,’ she said as though explaining something. ‘O Lord, Sula,’ she cried, ‘girl, girl, girlgirlgirl.’ It was a fine cry—loud and long—but it had no bottom and it had not top, just circles and circles of sorrow.”
“Nowadays silence is looked on as odd and most of my race has forgotten the beauty of meaning much by saying little. Now tongues work all day by themselves with no help from the mind.”
“I know it’s trash: just another story made up to scare wicked females and correct unruly children. But it’s all I have. I know I need something else. Something better. Like a story that shows how brazen women can take a good man down. I can hum to that.”
“Nowadays silence is looked on as odd and most of my race has forgotten the beauty of meaning much by saying little. Now tongues work all by themselves with no help from the mind.”
“While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind.”
“Grownups don’t pay it much attention because they can’t imagine anything more majestic to a child than their own selves and so confused dependance for reverence.”
“It takes a certain intelligence to love like that – softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail of course. The world outdoes them every time.”
“Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty.... -- the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that -- softly, without props.”
“A good man is a good thing, but there is nothing in the world better than a good woman. She can be your mother, your wife, your girlfriend, your sister, or somebody you work next to. Don’t matter. You find one, stay there. You see a scary one, make tracks.”