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Toni Morrison Quotes

40 of the best book quotes from Toni Morrison
01
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“At some point in life the world’s beauty becomes enough. You don’t need to paint, photograph or even remember it. It is enough.”
John Green
Toni Morrison
authors
Turtles All the Way Down
book
beauty
memories
being enough
concepts
02
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“To Sethe, the future was a matter of keeping the past at bay. The ‘better life’ she believed she and Denver were living was simply not that other one.”
Sethe
Denver
characters
03
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“I am Beloved and she is mine. I see her take flowers away from leaves she puts them in a round basket the leaves are not for her she fills the basket she opens the grass I would help her but the clouds are in the way how can I say things that are pictures I am not separate from her there is no place where I stop her face is my own and I want to be there in the place where her face is and to be looking at it too a hot thing”
04
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“You your best thing, Sethe. You are.”
05
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“Why was there nothing it refused? No misery, no regret, no hateful picture too rotten to accept? Like a greedy child it snatched up everything. Just once, could it say, No thank you? I just ate and can’t hold another bite? . . . But my greedy brain says, Oh thanks, I’d love more . . . my brain would go right ahead and take it and never say, No thank you. I don’t want to know or have to remember that.”
06
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“Working dough. Working, working dough. Nothing better than that to start that day’s serious work of beating back the past.”
Sethe
character
work
the past
work hard
concepts
07
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“I don’t have to remember nothing. I don’t even have to explain. She understands it all...”
08
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“Would it be all right? Would it be all right to go ahead and feel? Go ahead and count on something?”
09
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“But her brain was not interested in the future. Loaded with the past and hungry for more, it left her no room to imagine, let alone plan for, the next day.”
10
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“Denver looked up at her. She did not know it then, but it was the word ‘baby’, said softly with such kindness, that inaugurated her life in the world as a woman”
11
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“The future was sunset; the past was something to leave behind. And if it didn’t stay behind, well, you might have to stomp it out.”
Ella
character
future
the past
sunsets
concepts
12
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“My first-born. All I can remember of her is how she loved the burned bottom of bread. Can you beat that? Eight children and that’s all I remember.”
13
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“A man ain’t nothing but a man. But a son? Well, now, that’s somebody”
14
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“Bit by bit, at 124 and in the Clearing, along with others, she had claimed herself. Freeing yourself was one thing; claiming ownership of that freed self was another.”
15
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“124 was spiteful. Full of a baby’s venom.”
Sethe
character
murder
baby
venom
concepts
16
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“This and much more Denver heard her say from her corner chair, trying to persuade Beloved, the one and only person she felt she had to convince, that what she had done was right because it came from true love.”
17
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“By and by all trace is gone, and what is forgotten is not only the footprints but the water too and what it is down there. The rest is weather.”
18
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“Everybody knew what she was called, but nobody anywhere knew her name. Disremembered and unaccounted for, she cannot be lost because no one is looking for her, and even if they were, how can they call her if they don’t know her name? Although she has claim, she is not claimed.”
19
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“I don’t care what she is. Grown don’t mean nothing to a mother. A child is a child. They get bigger, older, but grown? What’s that supposed to mean? In my heart it don’t mean a thing.”
Mother
Sethe
Denver
characters
growing up
child
concepts
20
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“Nothing ever dies.”
Sethe
character
eternity
dying
endless
concepts
21
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“You are my face; I am you. Why did you leave me who am you? I will never leave you again Don’t ever leave me again You will never leave me again You went in the water I drank your blood I brought your milk You forgot to smile I loved you You hurt me You came back to me You left me I waited for you You are mine You are mine You are mine”
Sethe
Denver
characters
love
blood
milk
face
dependence
concepts
22
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“‘You think I don’t know what your life is like just because I ain’t living it? I know what every colored woman in this country is doing.’ ‘What’s that?’ ‘Dying., Just like me. But the difference is they dying like a stump. Me, I’m going down like one of those redwoods. I sure did live in this world.’”
Sula
book
life
dying
concepts
23
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“The real hell of Hell is that it is forever.′ Sula said that. She said doing anything forever and ever was hell.”
Sula
book
hell
forever
concepts
24
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“‘I don’t know,’ her mother said. ‘I don’t talk Creole.’ She gazed at her daughter’s wet buttocks. ‘And neither do you.’”
Sula
book
Helene
character
language
concept
25
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“It was on that train, shuffling toward Cincinnati, that she resolved to be on guard—always. She wanted to make certain that no man ever looked at her that way. That no midnight eyes or marbled flesh would ever accost her and turn her into jelly.”
Sula
book
Nel
character
26
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“The narrower their lives, the wider their hips.”
Sula
book
lives
concept
27
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“With the exception of BoyBoy, those Peace women loved all men. It was manlove that Eva bequeathed to her daughters.”
Sula
book
Hannah
character
28
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“Each time she said the word me there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut. ‘Me,’ she murmured. And then, sinking deeper into the quilts, ‘I want…I want to be…wonderful. Oh, Jesus, make me wonderful.’”
Sula
book
Nel
character
29
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“Nibbling at each other, not even touching, not even looking at each other, just their lips, and when I opened the door they didn’t even look for a minute and I thought the reason they are not looking up is because they are not doing that. So it’s all right. I am just standing here. They are not doing that. I am just standing here and seeing it, but they are not really doing it”
Sula
book
Nel
character
touching
concept
30
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“Her once beautiful leg had no stocking and the foot was in a slipper. Nel wanted to cry—not for Eva’s milk-dull eyes or her floppy lips, but for the once proud foot accustomed for over a half century to a fine well-laced shoe, now stuffed gracelessly into a pink terrycloth slipper.”
Sula
book
Nel
character
beautiful
concept
31
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“He fought a rising hysteria that was not merely anxiety to free his aching feet his very life depended on the release of the knots. Suddenly without raising his eyelids, he began to cry.”
Sula
book
anxiety
crying
concepts
32
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“‘All that time, all that time, I thought I was missing Jude.’ And the loss pressed down on her chest and came up into her throat. ‘We was girls together,’ she said as though explaining something. ‘O Lord, Sula,’ she cried, ‘girl, girl, girlgirlgirl.’ It was a fine cry—loud and long—but it had no bottom and it had not top, just circles and circles of sorrow.”
Sula
book
Nel
character
crying
sorrow
concepts
33
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“The birdlike gestures are worn away to a mere picking and plucking her way between the tire rims and the sunflowers, between Coke bottles and milkweed, among all the waste and beauty of the world—which is what she herself was. All of our waste which we dumped on her and which she absorbed. And all of our beauty, which was hers first and which she gave to us.”
34
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“We had defended ourselves since memory against everything and everybody, considered all speech a code to be broken by us, and all gestures subject to careful analysis; we had become headstrong, devious, and arrogant. Nobody paid us any attention, so we paid very good attention to ourselves. Our limitations were not known to us—not then.”
35
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“It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different.”
36
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“Of all the wishes people had brought him - money, love, revenge - this seemed to him the most poignant and the one most deserving of fulfillment. A little black girl who wanted to rise up out of the pit of her blackness and see the world with blue eyes.”
37
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“Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe.”
38
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“There is really nothing more to say—except why. But since why is difficult to handle, one must take refuge in how.”
39
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“Adults, older girls, shops, magazines, newspapers, window sign - all the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured. ‘Here,’ they said, ‘this is beautiful, and if you are on this day “worthy” you may have it.”
40
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“So she became, and her process of becoming was like most of ours: she developed a hatred for things that mystified or obstructed her; acquired virtues that were easy to maintain; assigned herself a role in the scheme of things; and harked back to simpler times for gratification.”

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