He walked the streets, in madness or melancholy, with lips moving in indistinct curses, or with eyes upturned in passionate prayer (never for himself, for he felt, or professed to feel, that he was already damned, but) for their happiness who at the moment were objects of his idolatry;
He appeared extremely uneasy, looking anxiously around him, fluttering his wings, and making a loud cooing noise, but could not be persuaded to trust himself from off the car.
It is therefore evident that, ascend as high as we may, we cannot, literally speaking, arrive at a limit beyond which no atmosphere is to be found. It must exist, I argued; although it may exist in a state of infinite rarefaction.
I breathed, however, at every moment, with more and more difficulty, and each inhalation was attended with a troublesome spasmodic action of the chest.
When darkness at length overtook me, I went to bed in great anxiety, fearing to pass over the object of so much curiosity when I should have no opportunity of observing it.
When my fears and astonishment had in some degree subsided, I had little difficulty in supposing it to be some mighty volcanic fragment ejected from that world to which I was so rapidly approaching, and, in all probability, one of that singular class of substances occasionally picked up on the earth, and termed meteoric stones for want of a better appellation.
“Well! now listen!—if you will venture out on the limb as far as you think safe, and not let go the beetle, I’ll make you a present of a silver dollar as soon as you get down.”
“I see, I see you are astonished at my apartment—at my statues—my pictures—my originality of conception in architecture and upholstery! absolutely drunk, eh, with my magnificence?
There may be a class of beings, human once, but now invisible to humanity, to whom, from afar, our disorder may seem order—our unpicturesqueness picturesque;
a nature which is not God, nor an emanation from God, but which still is nature in the sense of the handiwork of the angels that hover between man and God.
“It is natural to inquire how they could float such a vast distance, upon the most frequented part of the Atlantic, and not be discovered all this time.
I make Beauty, therefore—using the word as inclusive of the sublime—I make Beauty the province of the poem, simply because it is an obvious rule of Art that effects should be made to spring as directly as possible from their causes:—
He who regards it directly and intensely sees, it is true, the star, but it is the star without a ray-while he who surveys it less inquisitively is conscious of all for which the star is useful to us below-its brilliancy and its beauty.